22: EDITORIAL INTERVENTION
alicia sometimes: movements [in music]
All my concerts had no sounds in them;
they were completely silent. People had to make up
their own music in their minds!
Yoko Ono
the mathematician's signature
on note shaping: an audiograph
Debussy's canvas chords, Bartók's
construction of a swimming cul-de-sac
Schönberg expressing the mind &
Malipiero with intuition & sanctum
Who Knows Where The Time Goes?
Fairport Convention]
each melody an epiphany, pu shih
provoking excursions in the past
[96 Tears, ? & the Mysterians]
partnerships: the tempo & metre
an emotional archaeological dig
[Sin City, Gram Parsons]
the time you slipped on oil
& couldn't walk for weeks
[Rumble, Link Wray]
when you couldn't find the words
to kiss him & the night was Miró
[I'll Keep It With Mine, Bob Dylan]
those evenings when you wondered what life
would be if you were something else
[Let It All Hang Out, The Hombres]
finding out someone was not telling you
everything & somehow you let it slide
[Over and Over, Neil Young]
that moment when you ended everything
with a painted sign, maroon cherries & a mixed tape
[So Long Babe, Lee Hazelwood]
soon: when all things = cut sounds of new
& you, you selling your past
lump sum in second-hand stores
alicia sometimes co-edits
Going Down Swinging.